Sonata |
1964 |
For Piano.
"A power of utterance is achieved by an economy of idea and
texture typical of this composer..The slow variations near
the end of the work were striking in their pureness of sonority.
They are sinewy and sensitive, full of colours and phrases and rhythms
that compel attention."
|
18' |
Sonatina
MP3 extract (1.9MB)
|
1956 |
For Piano.
"Clean, lean, and athletic"
|
8' |
Incunabula |
1983 |
For Piano. |
12' |
Three Pieces |
1964 |
For Piano.
Reverie
Tzigane
Valse Viennoise
|
7' |
Suite for Piano |
|
For Piano
"Effectively laid out for the keyboard and with contrasting rhythm and not
unpleasant harmonic clashes.
It held interest for the listeners and performers alike."
|
|
Toccata Festevole |
|
For Organ.
Commissioned by the Paisley International Organ Festival.
|
7' |
Fantasia |
1964 |
For Cello. |
8' |
Chanson De Geste |
|
For Solo Horn.
Commissioned by by Redcliffe Concerts.
|
11' |
Cancion |
1982 |
For Guitar.
Published by Berben.
"Its power of fascination with an audience is magic."
|
3' |
Coplas Del Ruisenor |
1972 |
For Guitar
Commissioned by Angelo Gilardino.
Published by Berden.
|
10' |
Soliloquy |
1969 |
For Guitar
Commissioned by Glasgow Master
Concerts for Julian Bream.
Published by Berden.
"Thomas Wilson's Soliloquy provided the evening's most encouraging moment.
Angular and dark-toned, but with a noticeably
wider range of gesture than the rest of the programme."
|
12' |
Three Pieces |
1971 |
For Guitar.
Published by Berden.
|
7' |
Dream Music |
1983 |
For Guitar
Commissioned by Phillip Thorne.
Published by Berden.
|
10' |