| Incunabula | 1983 | For Piano. | 12′ |
| Dream Music | 1983 | For Guitar Commissioned by Phillip Thorne. Published by Berben. | 10′ |
| Cancion | 1982 | For Guitar. Published by Berben. “Its power of fascination with an audience is magic.” | 3′ |
| Coplas Del Ruisenor | 1972 | For Guitar Commissioned by Angelo Gilardino. Published by Berben. | 10′ |
| Three Pieces | 1971 | For Guitar. Published by Berben. | 7′ |
| Soliloquy | 1969 | For Guitar Commissioned by Glasgow Master Concerts for Julian Bream. Published by Berben. “Thomas Wilson’s Soliloquy provided the evening’s most encouraging moment. Angular and dark-toned, but with a noticeably wider range of gesture than the rest of the programme.” | 12′ |
| Sonata | 1964 | For Piano. “A power of utterance is achieved by an economy of idea and texture typical of this composer..The slow variations near the end of the work were striking in their pureness of sonority. They are sinewy and sensitive, full of colours and phrases and rhythms that compel attention.” | 18′ |
| Three Pieces | 1964 | For Piano. Reverie Tzigane Valse Viennoise | 7′ |
| Fantasia | 1964 | For Cello. | 8′ |
| Sonatina MP3 extract (1.9MB) | 1956 | For Piano. “Clean, lean, and athletic” | 8′ |
| Suite for Piano | For Piano “Effectively laid out for the keyboard and with contrasting rhythm and not unpleasant harmonic clashes. It held interest for the listeners and performers alike.” | ||
| Toccata Festevole | For Organ. Commissioned by the Paisley International Organ Festival. | 7′ | |
| Chanson De Geste | For Solo Horn. Commissioned by by Redcliffe Concerts. | 11′ |
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